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Bates College Museum of Art, Lewiston, ME "Time-Share," Sara Meltzer Gallery, New York, NY "Remix: Contemporary Art and Pop," curated by Simon Wallis, Tate Liverpool, England "DV Noir: Video Art from Under the Shadow of Hollywood," curated by Rodolfo Sanchez, Museum at California Center for the Arts, Escondido, CA "LA On My Mind: Recent Acquisitions from MoCA's Collection," curated by Michael Darling, MOCA at The Pacific Design Center, Los Angeles, CA Gallery Group Show, Goldman Tevis, Los Angeles, CA "New Heimat," curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt, Germany "Retake," curated by Susanne Titz and Ulrike Groos, Neuer Aachener Kunstverein, Aachen, Germany "Untitled (Bowers, Hamilton, Schwarz, Steinfeld)," curated by Christine Bisetto and Steffen Boddeker, Haggerty Gallery, University of Dallas, Irving, TX "Casino 2001," curated by Jeanne Greenberg Rohatyn, Stedelijk Museum for Actual Kunst, Ghent, Belgium 2001 "Everybody Now," curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York "Subject Plural," curated by Paola Morsiani, Contemporary Arts Museum, Houston, TX "False Start," curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY "Making Time: Considering Time as a Material in Contemporary Film & Video," curated by Amy Cappellazzo, Armand Hammer Museum, Los Angeles, CA

When the wind finally stops blowing at the end of the day have a plan for the mosquitoes, they can be troublesome

- Limited Lifetime Warranty & Xpeditor Features: - High-modulus TaperTec graphite blank - Tangle-free Fuji Alconite guides - AA cork grip w/ composite accents - Carbon-infused Ci4+ reel seat - Matte-black finish w/ gunmetal trim/hardware - Trapezoidal hook keeper - Handcrafted in Woodland, WA

I can specifically remember thinking it was just insanely expensive for a single lure to cost one hundred dollars

Spatial variation in identification accuracy was evident across the three subareas