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Laurencin built an important graphic production focused on etchings and woodcuts
This movement aimed to renew the tradition of ukiyo-e prints by combining classical techniques with modern sensibilities and Western influences
Perfect conservation and uncut editorial margins
evolving from early figurative studies to the geometric rigor of the post-war period
which later became very popular among kimono designers and producers in Kyoto
FONTANA LUCIO, Teatrino Turchese, 1966 sculture Laurencin built an important graphicPerfect impression taken from the artist's book published in 1966 for the Jolas Gallery, Paris, in the first and only edition, and printed by Sergio Tosi Milano. Texts by Gillo Dorfles and photographic portraits by Ugo Mulas. The small theater consists of two sheets, one of which, irregularly shaped, serves as a scenic backdrop and is overlaid on another die cut with small holes arranged in various ways on the page. Bibliography Lucio Fontana:
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