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where he developed his distinctive style over a long artistic career
for the magazine Verve vol
such as the plate Honjo Tatekawa from the series Thirty-Six Views of Mount Fuji
In all these images
flying in front of the Fuji facade as a signal of an early summer
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 10, 1834 vasi where he developed his distinctiveBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New