HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks to

which became renowned thanks to the Nō theater adaptation of the same title

come nel libro Hinauta tsuki kuwashi del 1803

Magnelli chose linocut and lithography as experimental workshops to translate the order already explored with the collages of the Grasse Group

Delicate proof in a version dating back to the second half of the 19th century

On the back

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi which became renowned thanks toBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New